By Eugene E. Carpenter
A Biblical Itinerary is devoted to George Coats, former Professor of outdated testomony at Lexington Theological Seminary, Kentucky and writer of uprising within the wasteland, From Canaan to Egypt, and Moses: Heroic guy, guy of God, and different books. The essays accumulated the following, reflecting lots of George Coats's pursuits, comprise 'Structure and which means within the Sinai-Horeb Narrative' (Joseph Blenkinsopp), 'Biblical and Early Islamic Moses' (Malcolm Clark), 'What Does the Bible Say? a question of textual content and Canon' (David Gunn), 'On the duty of outdated testomony Theology' (Rolf Knierim); 'Scripture and the Formation of Christian identification' (Roy Melugin); 'Some Reflections at the Canonical Moses: Moses and Abraham' (Rolf Rendtorff), and different papers by way of Trent Butler, Eugene chippie, James Crenshaw, John Roffey, Lawson Stone, Gene Tucker and John Van Seters.
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Additional info for Biblical Itinerary: In Search of Method, Form and Content. Essays in Honor of George W. Coats (Journal for the Study of the Old Testament)
The Old Testament in Modern Research, p. 144. 21. O. Eissfeldt, Einleitung in das Alte Testament (Tubingen, 1934; ET The Old Testament: An Introduction [trans. R. Ackroyd; New York: Harper & Row, 1965]). 22. J. Hempel, Die althebrdisches Literatur und ihr hellenistisch-judisches Nachleben (Handbuch der Literaturwissenschaft, 21; Wildpark-Potsdam, 1930-34). 23. The Old Testament in Modern Research, pp. 153, 155. 24. The Growth of the Biblical Tradition, pp. x-xi. Introducing the English edition in 1968 (p.
4 Reviewers and friends welcomed my attempt to carry narrative form criticism deeper into the book of Joshua, but they also showed me the whirling eddies and steep waterfalls leading to a seeming abyss at the end of the form-critical road. The present study examines the whys and wherefores of this abyss. The abyss seemingly yields only death-defying questions. Does form criticism necessarily eliminate historical questions from view or, even by its employment, automatically answer all such questions negatively?
420. Ljungberg, 'Genre and Form Criticism', p. 421. Ljungberg, 'Genre and Form Criticism', p. 429. BUTLER Narrative Form Criticism 53 criticism as an attempt to identify one stage in the history of a definite text, and, indeed, the original, oral stage of the history of the text. This is done to maintain the clear distinction between methodological steps. One would hope that scholarship would take more seriously Richter's lead in seeking to find methodological steps whose results can be verified and whose work takes seriously the literary text before jumping too quickly to theoretical stages and generalizing theories.